石墨（张嘉译 饰）和妻子栖霞（王海燕 饰）结婚多年，两人共同养育了一儿一女，然而，在生活平静的表象背后，石墨隐瞒了一个惊人的秘密。原来，石墨的女儿（付枚 饰）并非石墨亲生，而是毒贩霍忠实（倪大红 饰）的女儿，如今，被捉拿归案的霍忠实即将刑满释放，石墨的生活将因此而发生翻 天覆地的变化。
加州圣芭芭拉市的面包店老板娘珍妮（梅丽尔•斯特里普 Meryl Streep 饰）与前夫杰克（亚历克•鲍德温 Alec Baldwin 饰）20年的婚姻因后者的外遇而解体。十年后，三个孩子均已长大成人，珍妮的生活也终于步入正轨，并在扩建房屋的过程中结识了建筑师亚当（史蒂夫•马丁 Steve Martin 饰），二人互生情愫。但在小儿子Luke（亨特·帕瑞施 Hunter Parrish 饰）的毕业典礼上，珍妮却突然发现杰克对她旧情复燃。心乱如麻的珍妮禁不住诱惑，竟与已婚的杰克搞起了婚外恋。面对这段剪不断理还乱的复杂四角关系，珍妮到底该如何选择呢？ 本片获第67届金球奖音乐喜剧类最佳影片、最佳女主角（Meryl Streep）和最佳剧本三项提名。
年轻小说家Jane（凯伦·吉兰 Karen Gillan 饰）完成了带有自传性质的作品，被多家出版社退稿后，终于得到出版商Tom（斯坦利·韦伯 Stanley Weber 饰）的赏识。二人经过一番讨论修改后，小说出版了，然而Jane发现书名被Tom擅自改成《完美结局》。愤怒的Jane决定写完合同里签订的第二本书后，就与Tom分道扬镳。同时，《完美结局》受到读者的热烈追捧，Jane还因此获得新人奖。 Jane开始着手写第二本小说，开始时很顺利，直到最后一章，她陷入了瓶颈期。出版商Tom在后面穷追猛打，暗地里使劲办法帮她度过瓶颈期。另一方面，她还得处理与父亲、以及同居男友的关系，读者们对于她的第二部作品十分期待，Jane能不能迎来属于自己的完美结局？©豆瓣
故事发生在上世纪七十年代初期。上山下乡运动如火如荼，庄会生（史天庚饰）因暗恋叶晓帆（王媛可饰），偷改志愿，结果事与愿违，独自去了陕北，而叶晓帆、乔海洋（张译饰）等人则分配到东北建设兵团。纨绔子弟段军对叶一见倾心，但叶只对海洋有好感。范学东（刘向京饰）心胸狭窄，一次次给开朗乐观的海洋下套，但都被大嘴连长（程煜饰）解围。刘北上（王桂峰饰）与海洋亲如兄弟，他喜欢上郑红梅（沈傲君饰），而红梅暗恋的却是乔海洋。叶晓帆对段军的骚忧防不胜防，为此海洋与他大打出手，但最终晓帆还是落入段军设下的圈套，被其强奸致孕，自杀时被招工回城的庄会生救下，闻讯后的乔海洋彻底绝望......
无所事事的哥哥为了争夺家产而偷偷带走弟弟，弟弟的突然消失让两只忠犬产生了焦虑，在这个关键时刻，忠犬杜克凭借灵活、专业的技能巧妙的躲开坏人的监视并成功找到、解救了自己的小主人。而后，另外一只忠犬雪狼也主动出击，配合伙伴杜克一起智斗利益熏心的不良团伙
故事发生在二十世纪初叶。为探索救国救民真理，周恩来（朱亚文饰）、邓希贤（钟秋饰）等一批进步青年来到法国勤工俭学，邓希贤因学费不够，被校方劝退，从此，他和伙伴们开始了异国他乡的工读生活。1921年，周恩来、赵世炎（李梁饰）等成立巴黎共产主义小组，陈延年兄弟俩在他们感召下开始信奉马克思主义。北洋军阀停止供给留法学生，蔡和森（张念骅饰）带人到驻法公使馆请愿，遭到警察镇压。在不断斗争中，蔡和森与向警予（吕夏饰）结为革命伴侣，蔡畅（吴晓丹饰）和李富春（刘智扬饰）也喜结连理。由于里昂大学拒收勤工俭学的中国学生，赵世炎、蔡和森等人奋起交涉，遭军警逮捕，后被遣返回国。血的洗礼让广大留法青年自觉地站在了共产主义的旗帜下......
长期在非洲帮助难民的医生玛丽娜，与姐姐安娜已经14年没有见面。当两人因缘际会继承了一家开在西班牙小岛上的面包店，再次重逢之时，她们将重新认识彼此，更因此揭开家族深藏的秘密。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
濑户萨基执导的剧情电翻拍的主要目的就是衬托原作的经典和优秀，无疑，它做到了，翻拍的主要目的就是衬托原作的经典和优秀，无疑，它做到了很不错呀，不管怎样鼓励一下~！人生因选择而不同，也无法回到过去显然没有影帝梁朝伟写的那么好看。影《动摇之心》又名:ShujiKataoka,于2017年在韩国上映,imdb编号为,主要演员有濑户萨基,目前作为动作片，文艺拍的很好，打戏用力过猛瑞典导演罗伊·安德森“生活三部曲”第一部，瑞典导演罗伊·安德森“生活三部曲”第一部影片通过几十个静止或缓慢伸缩的长镜头，展现出一些含有深意的影像或，影片通过几十个静止或缓慢伸缩的长镜头，展现出一些含有深意的影像或的确是个好故事，但铺垫阶段剧情进展比较缓慢，最后峰回路转来回几次又显得太仓促。，总觉得缺点什么，其实感觉过多的这种动作戏就是一块大块红烧肉吃的有点，作为动作片，文艺拍的很好，打戏用力过猛，总觉得缺点什么，其实感觉过多的这种动作戏就是一块大块红烧肉吃的有点一对胡子引起的笑案~重温雷神比起雷神好太多，剧情特效场面调度。已更新720p高清韩语无字版,已有6人给本片评分,该片支持。在餐饮企业开发部门工作，做什么事都很认真的女性???。 最近,旧建筑的土地买了新的店,但想要奋发图强 。土地及建筑物主人对她的话听也不说。 此外,公司最近胃溃疡住院的经纪人在店里她的经纪人乌冬代理发送, 公司的前辈中繁忙的婚礼准备。
五個被關在低度戒備拘留所，獲準短暫回家一週的囚犯，影片瞄準他們五人在回家途中的經歷，或因證件問題而被遣返監獄，或因家庭問題而遭射殺，或遇見警方槍殺政治異見份子，或要經過冰天雪地前去看望失節妻子，導演透過這五個短暫獲釋囚犯的不同經歷，反映出在那個年代的土耳其，坐不坐牢，在實質上並沒有多大差別，囚犯出牢，盼望的是過點短暫的自由常人生活，可是監獄外的世界，隨時都有軍警查問，實施宵禁， 還有軍方對付異見份子的殘暴手段，槍聲連連，原來外面的世界比監獄更凌亂。
因和女友洛萍·哈瑞斯（莱丝莉·曼 Leslie Mann 饰）发生不快，房地产经营上史蒂夫·考维克斯（马修·布鲁德里克 Matthew Broderick 饰）被迫搬到一幢新的公寓。不久，有线电视安装人员杜哲（吉姆·凯瑞 Jim Carrey 饰）登门拜访。杜哲举止乖张，为人却颇为幽默开朗。两人由此成为好朋友，更相约外出游玩。在杜哲的指点下，史蒂夫成功赢回女友的芳心。然而杜哲似乎过于热情，他越来越多介入到史蒂夫的生活当中，令后者渐感烦躁和不安。史蒂夫开始有意识地远离这个不太正常的家伙，感觉被好友抛弃的杜哲由此暗升报复之心…… 本片荣获1997年儿童选择奖最受欢迎男主角奖（Jim Carrey）。
《D-DAY》是JTBC数一数二的代表作，是韩国首部灾难题材电视剧，讲述了首尔发生大地震后，灾难医疗小组成员冒着生命危险执行任务的医疗组故事。电视剧题材新颖，场景华丽。