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节目嘉宾组成里予家族，接受当地委托，他们化身活动策划团队，每周为其定制充满趣野的主题嘉年华，实现为当地引流，他们用归零的姿态，迎接挑战，体味辛劳，感悟生活，传递温暖，最终通过努力实现一个又一个旷野奇迹。 明星同款游乐线上线下联合，刷爆全网平台，潮流社群运营。线上综艺彩蛋霸屏，专属于年轻人的快乐星球；线下热点引流，打造新型社交场域。 当代艺术集群，年轻人打卡圣地，节目内大型交互装置，潮流创意满满；节目外与国内当代艺术家联名，打造当代艺术装置展。 高能厂牌联盟，创造海啸级流量。
陈嘉、孙熙文是南京某名校的高三学生，放学后和同班死党萧乙、陈墨到先锋书店闲逛，偶遇在贴演出海报的美女林佩曦。陈嘉写了一首名为《暮色未深》的歌词，四人与林佩曦相约在城墙上见面，请她帮忙作曲。林佩曦在城墙美景的熏陶下说出了自己也想环城的愿望和将来要去法国小城学香颂音乐的梦想 。不久后，四人拿到了做好曲的歌谱，而林佩曦也悄然消失，在歌谱上留言说自己已经出国。在去参加同班女生徐媛的生日聚会前，陈嘉、孙熙文在馄饨摊竟然遇见了和萧乙父亲挽手出现的林佩曦，两人震惊不已，并把这个秘密深藏于心。 萧乙爷爷病危，恪守旧礼的爷爷希望能“老”在家里。萧乙请三人帮忙，把爷爷从医院“偷”回了家里。爷爷向萧乙父母交代后世，刻意支开四人出门购买各种南京小吃。四人买完小吃在城门下汇合，却得到消息，爷爷已去。 毕业将至，一场保送排名考试将决定大家的前途。班上的女神张超然认定品学兼优的陈嘉一定会和她保送到同一所大学。 考试前夜，孙熙文刚得知通过艺考的消息，他在馄饨摊默默守候林佩曦，决心报考音乐专业；收到张超然激励短信的陈嘉却对这份所有人看好的爱情心存疑虑，不想自己的人生就这样被预设。不忍对张超然明言的他在深夜开始环城直至天明，延误了考试。最后超然被保送而陈嘉落榜。 2013届的毕业典礼上，小师妹对陈嘉大胆告白。而超然则在这段告白里听见了自己六年的心声，并从心里和这段青涩的爱情说了再见。 又是九月，萧乙陈墨已经出国，留在南京念书的陈嘉、孙熙文又来到了城墙上，看到了学弟学妹们的环城队伍。之前觉得环城没意思的孙熙文邀陈嘉一起再环一次城，在夕阳中走进这座古老的城市。
似乎永无止境的黑夜，笼罩着破败冰冷的现代化大都市，空气中弥漫着不祥的气息。约翰·默多（卢夫斯·塞维尔 Rufus Sewell 饰）在某旅馆的浴缸中醒来，对于之前发生的一切毫无印象，甚至忘记了自己的身份和姓名。神秘的电话、冰冷的尸体以及不明身份的追杀者，这一切都令他无所适从。他凭借仅有的线索开始追查自己的身份以及这一切混乱的肇因。关于这个黑暗世界离奇的一面，也在他的调查中慢慢揭开面纱…… 本片荣获1998年美国科幻恐怖电影学院最佳科幻电影奖、1998年阿姆斯特丹奇幻电影节银屏奖、1999年布鲁塞尔国际奇幻电影节佩格萨斯观众奖、1999年澳大利亚影评人协会最佳原创剧本奖。
原乃木坂46深川麻衣的初部电影，并担任主演，同三代目 J Soul Brothers山下健二郎演绎一场"焦急又心动"的爱情故事。
2002年，数码世界面临灭亡的危机！数码世界本是由究极天使兽、基路比兽及神圣天女兽三大天使所管治的，然而其中一位天使——基路比兽却叛变，这使得数码世界的平衡受到破坏，并开始崩溃……古代曾经拯救数码暴龙世界的十斗士现在已不存在。就在这危急关头，十斗士的斗士精神把新力量给予了另一个世界——现实世界的孩子……主角拓也等人，将进入数码世界，变身成数码暴龙，投入这场冒险与战斗的旅程！官方网站：http://member.toei-anim.co.jp/tv/digimon_F/
毛毛和爱画画的丫丫在省城经营一间小店，维持生计和学费。房租猛涨，两人为钱发愁。丫丫发现通缉令上的赏金很高。她突然发现嫌犯，情急之下举起附近花店的花瓶砸下去，结果弄错了。要负担被砸的肖志文的医药费，还得赔偿花店损失。两人雪上加霜。丫丫再次发现嫌犯，为了谨慎，她们请肖志文帮助侦察。通缉犯终于落网。姐俩得知他是因为老婆死于在...
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
影片讲述亚洲最大规模赌场巨大的阴谋与战争，“和我长得一样的人出现了”。SIESTA赌场开业前，出现在组织老大张泰英（金秀贤饰）面前的暗黑组织老大曹源根（成东镒饰）主张自己拥有赌场的所有权，陷入赌场抢夺危机的张泰英为了解决危机去拜访了投资者。某天，不仅是姓名连外貌也一样的可疑投资者（金秀贤饰）出现了并提出把曹源根一起解决的方案。随着可疑投资者的登场，与曹源根之间争夺赌场的战争开始了，围绕着他们的巨大秘密和阴谋渐渐浮出水面。
The film is about the early years of famed children’s author Astrid Lindgren (Pippi Longstocking) when she experienced something that was a “combination of both miracle and calamity that came to shape her entire life.”
和平镇任务繁重陷入发展困境，新任党委书记曾自强不忘初心，牢记使命，决意带领人大主席、镇长熊栋才等党委、人大、政府一班人，奋力改革创新，让每个党员都成为一面鲜红的旗帜，每个支部都成为党旗高高飘扬的战斗堡垒……其间，推行人大季会制、双月报告制、周一升旗制惊心动魄，探索困境突围实现形式艰难困苦，甚至不惜付出生命代价。最终，和平镇梦想成真，成为全国制度创新的小典型，小人物莫雄实现成长，成为全省先进，还收获了甜蜜的爱情。艰辛的追梦历程，动情的感人故事，相当令人泪目，也让人特别意外。