讲述工作狂艾丽(布里)在回家乡的路上与前男友肖恩(埃利斯饰)度过了一晚，追忆往事，她开始质疑自己所做的选择和现在成为的人。当她遇到卡西迪(克莱门斯)后，事情变得更加混乱，这个年轻女人让她想起了过去的自己。
《王牌对王牌》第三季是浙江卫视推出的大型原创室内竞技真人秀节目，由浙江卫视节目中心制作。节目共12期。王源、沈腾分任两队王牌队长，贾玲、欧阳娜娜分任两队王牌特工，沈涛担任主持人。节目每期围绕一个主题，邀请两支王牌团队，由两队固定队长各带领多名热门IP嘉宾进行PK对战，同时加入王牌特工角色，通过才艺比拼、游戏竞技，决出王牌中的王牌。《王牌对王牌》第三季于2018年2月2日起每周五晚20:30在浙江卫视播出。
蝙蝠侠（迈克尔•基顿 Michael Keaton 饰）归来了！自从打败“小丑”后，高谭市获得片刻的宁静。然而，又一个强大的对手出现了！这次是脾气乖张暴戾的“企鹅”。 “企鹅”因为是次子，所以自幼就被父母遗弃，落下残疾，导致“企鹅”对整个社会都心生不忿。长大后“企鹅”的企鹅决心杀回高谭市，将市内的长子都杀光，并控制整个高谭市。在迫使邪恶商人马克斯（克里斯托弗•沃肯 Christopher Walken 饰）帮忙后，“企鹅”顺利当上了高谭市长。同时，马克斯的秘书西莉娅（米歇尔•菲佛 Michelle Pfeiffer 饰）意外获知了他们的秘密，在遭受他们迫害时意外获得了超强能力，成为了亦正亦邪的猫女。 蝙蝠侠这次将面临“企鹅”和猫女的双重挑战！
千妍秀（朴正雅 Jeong-ah Park 饰）的父亲因为投机倒买土地成为富有的暴发户，而千妍秀更是集合性感美丽的外貌与多金雄厚的家庭背景而成为异性追逐环绕的中心点。然而一向高傲的妍秀阴错阳差的认识了外形俊朗的大学生政道（朴镇宇 Jin-woo Park 饰），生活的轨迹发生转变。为了报复政道不为自己美色所动，妍秀不惜亲自出马诱惑政道，不料虽然计划成功而自己也对政道产生了真挚的爱情。但是政道告诉妍秀，他是乐安邑城古老氏族的嫡长孙，而自己不久后就要回去接受长辈给自己安排的婚礼。而此时，黑道老大罗大镇（李元宗 Won-jong Lee 饰）也因为盯上了千会长的家财而欲取妍秀为妻。然而，这段可能无疾而终的感情峰回路转，因为妍秀发现自己怀孕了，而孩子神秘的父亲成为众人追踪的重点对象！
本片讲述了中国人民解放军的楷模——张思德的故事。在抗日战争后期，延安正处于热火朝天的大生产运动中。勤务兵张思德（吴军 饰）为人老实，不善言辞，做好事从不邀功，工作任劳任怨，一心一意为中国革命事业奉献自己。因为一次合唱表演，毛泽东主席（唐国强 饰）注意到了这个憨厚朴实的勤务兵。而后的几次接触中，毛泽东主席给张思德总结了他最大的缺点——不善言辞，同时毛泽东表示这也是他最大的优点。 为了解决中央机关冬季取暖问题，1944 年张思德带领一班人到安塞县烧木炭。在一次烧炭中，炭窑突然崩塌，张思德不幸牺牲。毛泽东主席在他的追悼会上深情地说，我们的队伍里到处是这样的人，普通、平常、像清凉山上的草一样，我们不注意到他们，往往也听不到他们的声音，可正是这些人支撑了我们的事业……
一群大学生在四月一日愚人节结伴到一无人荒岛的巨宅中度周末，结果碰上血腥的愚人节恶作剧。他们在互相玩笑之余却逐一被杀，而邀请他们前来的富家女莫菲圣琼却始终未露面，这到底是什么回事？影片明显地采用了艾嘉莎克莉丝蒂的侦探名著《十个小印第安人》的故事模式，让剧中人一个一个被杀
初出茅庐的栗原（柄本佑饰）被上司（光石研饰）派到韩国釜山去拍摄旅游广告片。对韩文一窍不通的他只身来到异国，竟然没能碰上原先约好的当地导游。正当他一筹莫展之际，邂逅了一名神秘的日本美女阳子（江口德子饰）。两人一同观光游览，釜山正在举行国际电影节，整个城市十分热闹。快乐的三天很快过去，分手的时刻就在眼前，栗原得知了阳子的秘密……
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
生活在以色列的巴勒斯坦男子萨拉赫不幸失去幼子奥马尔，按习俗要带子回乡安葬。天气炎热，萨拉赫为了能尽快回乡，决定用一只行李袋包裹幼子穿越边境。然而巴以边境正在实施严格的军事管制，他的旅途因此变得异常艰难...
Kyle（马特·达拉斯 Matt Dallas 饰）一直在探寻自己身世之谜，终于他遇到了Adam，知道了自己的来历和潜力。他回到Trager家，并在Tom严格的训练下学会能力范围内的所有本领。每个人的情况都不太好，Nicole（玛格丽特·马科林苔 Marguerite MacIntyre 饰）变得很沮丧并辞掉了工作；Stephen（布鲁斯·托马斯 Bruce Thomas 饰）不得不接替她；Lori（艾普萝·美森 April Matson 饰）和Declan（克里斯·奥利维罗 Chris Olivero 饰）关系紧张；Josh（让-卢克·比洛多 Jean-Luc Bilodeau 饰）则是一如既往。神秘公司Madacorp找到了一个陌生女孩寻找Kyle。这个女孩不仅成为了Kyle生活的一部分，也走进了Trager一家的生活，所有的人都处在危险之中.....