郊外的一所大房子里，单身妈妈麦迪逊·海勒（艾丽·拉特 Ali Larter 饰）独自带着一双儿女雅各布（麦克斯·罗斯 Max Rose\t 饰）和海莉（科洛·佩林 Chloe Perrin 饰）过活。但是最近一段时间她饱受惊吓，因为在寂静的夜里，她和孩子们都曾目睹一个可怕的怪物在房间内出现。恐怖事件愈演愈烈，孩子们的身心受到极大创伤，海勒家的生活乱作一团。期间她也曾找过相关组织调查，但对方被吓得落荒而逃。在绝望的时刻，她只能选择相信男朋友尼古拉（阿俊·古普塔 Arjun Gupta 饰）。 尼古拉利用高精尖的仪器调查，不曾想居然将怪物的实体召唤出来。海勒一家的噩梦远远没有结束，她们不得已被困在这个熟悉而又恐怖的家中……
战国乱世，天下初定。德川幕府建立，拉开了最后一个武家王朝两百多年的序幕。时有乱臣之女阿福（松下由树 饰），因手刃猖狂的小妾而被丈夫休出家门。阿福满怀羞辱和悲愤，抛弃三个年幼的孩子来至江户。适逢二代将军秀忠的正室阿江与夫人（高岛礼子 饰）临产，阿福应征成为乳母。世子竹千代不久诞生，阿江与虽心怀不舍，却只能看着刚出世的孩子被交予乳母养育，从此在心中埋下仇恨的种子。此后的岁月里，阿福所抚育的竹千代以及阿江与养育的次子国松展开连番争夺继承人的斗争。 更名为家光（西岛秀俊 饰）的竹千代最终成为三代将军，阿福也作为大奥总管，开启了其德川女帝的辉煌篇章……
纯朴善良的农民杨树根（邱林 饰）来到花花绿绿的县城，此行的目的是跟大舅哥梅来（王景春 饰）寻找在城里打工的老婆梅花。进城后，他们暂住在梅来租住的房子里，然后二人分头找工作，不料梅来遇上了黑中介，因用极端手段索要中介费被抓了起来。而树根则因祸得福，结识建筑公司经理袁媛（俞欣彤 饰），谋得一份工作，由于吃苦肯干，赢得老板王奎（姜彤 饰）信任，令其回乡招工，招人返城的一干人马在工地上干了半年，却得不到王奎当时所承诺的工钱，而此时农民工小顺子突发急症等着用钱，大家讨要无果还遭毒打，杨树根忍无可忍，采取了极端行为……
唐肃宗时期，皇室内忧外患。皇子李倓受皇后陷害死去，皇长子李俶悲痛不已。朝堂之上，张皇后和史思明中伤李俶，导致李俶兵权被夺。为了振作李俶，独孤靖瑶提出嫁入王府协助李俶。面对独孤靖瑶的好意和对妻子珍珠的爱情，李俶陷入两难。为了李俶和大唐王朝的未来，珍珠主动让李俶休掉自己迎娶独孤靖瑶，之后李俶被立为太子。张皇后与史思明的诡计随着李俶的一步步登向皇位而越发狠毒，史思明撕破面具谋反。朝堂之内，张皇后另立太子的诡计也被忠臣李佖识破，太子之位得保。大势已去的张皇后拼死挣扎，试图绑架珍珠要挟太子李俶，李俶在皇帝面前揭穿张皇后的诡计，皇后终食恶果。在众忠臣良将和独孤靖瑶的帮助下，李俶成功平叛。大唐江山终于稳固，经历大起大落波折的李俶，登上皇位，延续大唐荣耀。
《摘金奇缘》后，好莱坞继续开发亚洲相关影视：在英国演戏的四川妹子李坤珏(《浴血黑帮》《开膛街》)将出演Netflix电影《虎尾》(Tigertail，也是美国一个地点)，马志(《降临》)已加盟。故事来自《无为大师》联合主创杨维榕，他的父母来自台湾，该片讲述台湾移民到 美国的两代人历程和内心联结： 一个叫Grover的男子在台湾出生长大，童年艰难的他抛弃了真心热爱的家庭，和一个女子真真跑到了美国，他跟真真之间没什么感情，但两人还是一起在美国寻找新生活。 后来Grover开始审视自己一生做过的和抉择，他是一个顽固的男人，他的女儿Angela已长大成人，也成了一个顽固的女人。父女俩压根没意识到他们俩有多相像，但最终，都后悔过、失败过之后，两人开始互相理解。 坤珏饰演年轻时的珍珍，一个安静、礼貌、不碍事的台湾女子，和Grover一起去到美国生活，对她来说很艰难。直到遇到了一个叫Peijing的朋友，珍珍才开始真正思考独立和自身价值。Grover的女儿Angela，跟父亲疏远又取得联系。马志饰演年长的Grover。
FOX一口气续订了《辛普森一家》第27季和第28季。
十五年后，东北长白山区老农刘老根已经回家安心养老，龙泉山庄全部交给刘大奎管理，没料想早已搬进城里住的大辣椒带着儿子药丸子回乡探望刘老根，并央求刘老根在山庄帮其找份工作，刘老根也借此机会再回山庄，却突然发现山庄经营情况已大不如前，更可气的是儿子刘大奎串通孙女刘珊珊及韩世信餐饮部长等中层干部一起蒙骗自己也隐瞒山庄的真实情况，刘老根决定重返山庄，再次主持大局，将山庄重整旗鼓，从此也发生了一系列啼笑皆非的故事。
在庄将军赎金即将凑齐之际，姜承一与八壮士落入陷阱，几乎全灭。姜承一作为幸存者，终于发觉是庄语臣背叛了众人。最终，姜承一在薛茯苓的帮助下战胜庄语臣。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
《闪耀吧！体育生》是芒果tv打造的首档体育生运动社交综艺。旨在推广全民运动，全民健身的健康生活理念，招募九位热爱运动的小伙伴去往海岛，开启为期十四天的夏日限定运动之旅。 节目将打造为期十四天的运动夏令营，来沙滩海岛尽情挥洒汗水吧！希望你场场都能赢得漂亮！关于梦想和伙伴，日复一日的训练，枯燥乏味的守望，一个人前行或许很难，有人同行会轻松许多。 盛夏的阳光明媚灿烂，年轻男女的脸上洋溢着青春活力的笑容。聚焦两性情感关系，用运动和青春书写心动篇章，来遇见成就自己的美好情感。
报社记者袁永定（万梓良 饰）遇到了一位前来登寻人广告的女子如花（梅艳芳 饰），无意中才发现了该名冷艳的女子原是鬼魂，早在50年前，她是一名红牌妓女，结识了一名纨绔子弟十二少陈振邦（张国荣 饰）。如花深深爱上了这名多情的公子，两人已到了谈婚论嫁的地步，由于身份悬殊，遭到了十二少家人的极力反对。无奈之下，他们以胭脂扣定情，一起吞鸦片殉情。如花未能在地府看到自己的爱人，便到阳间寻找。 如花在两名记者的帮助下，得知原来当年十二少被人救活了，如今生活潦倒。面对十二少的懦弱，如花伤心欲绝，把胭脂扣返还，回到阴间投胎转世。
故事发生在90年代的台湾，电视台女主持丁玉梅（杨林 饰）因为节目《神童世界》收视率不佳而面临被炒鱿鱼的危机，所以她请香港朋友程凌（岑建勋 饰）帮忙，计划做一期象棋神童的节目挽回收视率。这时，他们遇到了...