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故事发生在1996年之前的香港，女主雪莉在自己的婚礼现场遭遇劫匪挟持，并目睹丈夫死于匪徒枪下。无法走出阴霾的她现于一家射箭馆任职。台风之夜，她意外滞留楼内，目击同一帮匪徒在大厦内杀人，她也不慎暴露了自己的踪迹，在惊惶不安的逃亡过程中，她意外遇到了同为滞留者的盲眼老人南哥，两人一边抵抗匪徒的无情追杀，一边设法逃离这栋噩梦般的大厦。然而穷凶极恶的匪徒竟要杀人灭口，雪莉与南哥在信号中断、出口全部被封的大楼内，苦苦找寻着活下去的办法……
《美版中毒》改编2002年李秉宪与李美妍主演的同名韩国电影《中毒》。 一场交通事故，让杰西卡（莎拉·米歇尔·盖拉 Sarah Michelle Gellar 饰）的丈夫瑞恩（迈克尔·兰德斯 Michael Landes 饰）和小叔子瑞曼（李·佩斯 Lee Pace 饰）陷入昏迷，并被告知又变成植物人的危险。但在数月后瑞曼先醒了过来，这使杰西卡看到了丈夫也康复如初的一线希望。而瑞曼竟对杰西卡说，他就是丈夫瑞恩。开始杰西卡并没有相信，但瑞曼的处事方法越来越像瑞曼，并说了很只有瑞恩才知道的秘密。杰西卡陷入了深深的矛盾之中：一方面她难以接受和灵魂的转移；另一方面，她又感觉到了丈夫的气息和模糊的幸福。似乎如同中毒一般不可救药的爱情就要开始了。而与此同时，医院内的瑞恩似乎有了复苏的迹象……
黑林城堡之犬 Der Hund von Blackwood Castle
威尔逊船长死后留下了一座城堡--黑林城堡。船长的22岁的女儿简.威尔逊前来城堡料理后事，其父的家庭律师罗伯特.杰克逊说船长生前商定愿以10,000英镑出售城堡，然而简.威尔逊对此表示拒绝，不承认委托书。 奇怪的是，来访的客人居然还对附近的一个老酒馆客栈感兴趣。更令人恐惧的是在城堡附近的旷野和沼泽里不断有来访着莫名其妙地被一只带牙套的黑狗咬死。而且简.威尔逊小姐的床上也被人放上了一条毒蛇！ 管理城堡地下室的是克里姆斯比，一个独眼龙。他养着一些毒蛇。他在毒蛇的牙齿中提取致命的毒液并放在牙套里安插在一条黑狗的尖牙上... 这一切到底是怎么回事呢？ 随着威尔逊的前妻-也就是城堡的最后继承着凯瑟琳抵达城堡后一切开始明朗化了。 一番调查后，约翰爵士发现，城堡中出现的费尔班克斯，纳尔逊和被咬死的塔克等人都曾是威尔逊船长所管辖的“PRESENT MONRO”号轮船上的工作人员 关于这艘船上，曾有珍贵的珠宝突然消失的“传说”。 那么，这些人是不是和这些珠宝有关呢？如果是这样，那珠宝在哪里呢？剧中威尔逊船长怎么会复活的呢？
《海鹰战警》以“中国维护司法人权的典型案例”——广西政法干警破获的国际海盗劫持船只案为故事原型。剧情既有新时期政法干警勇斗邪恶的惊险场面，也交织着政法干警作为一个普通人的爱恨情仇。该片由自治区党委政法委监制，法治快报社和广西华影联文化传媒有限公司联合摄制和出品，是中国首部打击海盗的影片。
马小强（李灿森 饰）是一个整日和朋友鬼混，流连于欢场之中的花花公子。一次偶然中，他在夜店邂逅了名为苹果（李珊珊 饰）的女孩，两人一见钟情，当晚便打得火热。第二天，马小强才知道，原来苹果的父亲，竟然是黑社会老大九纹龙（陈惠敏 饰）。苹果带着马小强见了自己的父亲，九纹龙要马小强以性命担保，不会辜负女儿。 虽然马小强的内心已经退缩了，但碍于九纹龙的淫威，他只得按捺下内心的骚动，老老实实的和苹果处对象。可就在这个节骨眼上，一个名叫由丽（春日井静奈 饰）的日本空姐搬到了马小强的隔壁，性感美艳的她天天对马小强投怀送抱。
Anna与儿子Max来到了一个风景如画的小岛度假，这里气候宜人，同行的游客也都和善友好，他们在这里嬉戏，看海龟在沙滩上爬行，他们居住在海边的别墅里，一切看似安详，然而对于Anna来说，心中也有着难以忘怀的曾经，即使如此，她也尽情享受着假期。在小岛的另一边，一位父亲也带着儿子，与Anna不同的是，他们似乎并不是来游玩，一场阴谋正在酝酿，不速之客的来临打乱了游客的阵脚，Anna将如何带着儿子逃出这地狱般的小岛呢？
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
董谷是一个平凡的丈夫，除了做家务什么也不做。他的妻子玛尔贾让东姑准备食物，切水果，大惊小怪，说她什么都做不了，她已经试过了。董谷正在找一份退休金工作，以弥补他孩子的学费。董谷做梦也没想到，养老金是让他振作起来的最佳去处。他一天比一天变成不同的颜色。最后，他的妻子玛尔贾受不了，要求离婚。
一对好姐妹却各有小秘密，而各自的秘密竟然是和对方的男人有染，都以为各自耍了小聪明，实际上不过都是欲望的奴隶
7月17日 2022足球友谊赛 科隆VSAC米兰