身罹绝症的吴领弟，与年幼弟妹相依为命，与恶男钟无二同居于一单位内，二人经常发生冲突，无二干着买卖贼赃的生活，其女友常协助他收藏赃物。领弟为安顿弟妹日后的生活，甘愿嫁与金山伯作填房，无二洞悉一切后，激发起内心的怜悯，决意使她在有生之日获得快乐，并答应照顾其弟妹。在床头金尽时，无二挺而走险再干非法勾当，却遭警方埋伏更被匪帮误为出卖者，誓要报仇，在无二往见领弟最后一面后，遭人伏击，究竟无二命运如何呢？
唯一全景反映《马可波罗东游记》的影视作品！由北京电影制片厂与意大利广播电视公司合拍，中国演员英若诚对忽必烈这个角色的苍凉演绎，最终在意大利获得年度最佳男演员奖。该剧亦赢得艾美奖最佳电视剧奖。 影片简介： 最初马可·波罗随同两个牧师被派往忽必烈朝廷传教，以期对方能皈依基督。然而半路上，马可就被随行的牧师们遗弃了，因为后者怀疑世上根本就没有中国这个国家的存在。在经历千辛万苦之后，马可终于凭借自己的力量到达了中国，并被视作外交使节加以礼遇。在随后的20年中，马可深入探寻中国文化，走过了许多地方。归国后，他写出了那本著名的《马可·波罗游记》，彻底改变了西方世界对于中国的看法。
在济南一角，有一个年画世家，他家有一个儿子叫做蒲松龄（马浚伟饰），自幼天资聪颖的他对于书画、故事都极其擅长，蒲父对他的寄望颇大。但误解蒲父的蒲松龄不愿受到父亲的摆布，希望做自己真正想做之事。和镇上的捕快高喆（陈锦鸿饰）结成好友的他，因此知道了镇上不少离奇古怪之事，开阔了他的眼界。某一次，蒲松龄和高喆在追中一起案件时，差点遭到歹徒的毒手，幸而被一名女子小翠（陈法拉饰）相救。原来小翠竟是来报恩的狐仙，她对颇有才情的蒲松龄一见钟情。而另一边，蒲松龄又邂逅了在自家画坊工作的女工柳心如（钟嘉欣饰），而心如来到蒲家原来是有目的的……一出出人鬼狐仙的故事就此上演。
母亲去世，父亲失踪，虔诚的教徒罗茜（玛卡蕾娜·戈麦斯MacarenaGómez饰）和妹妹妮娜（纳迪娅·圣地亚哥NadiadeSantiago饰）过着相依为命的生活。罗茜患有广场恐惧症和严重的精神衰弱症，无法踏出家门一步，只能依靠吗啡来缓解身体和精神的极度不适。而出落的亭亭玉立的妮娜开始让罗茜渐渐感到一种妹妹会弃自己而去的恐慌。某日，一位腿部受了伤的陌生男子卡洛斯（雨果·席尔瓦HugoSilva饰）敲响了罗茜家的门，半推半就之下，罗茜接纳了卡洛斯，让卡洛斯在床上养伤，日日精心照料着他，随着时间的推移，风度翩翩的卡洛斯让罗茜第一次感到了爱情的甜蜜和温暖。为了能够留住卡洛斯在自己的身边，罗茜开始撒下一个又一个谎言，当事态的发展超出了罗茜的控制之时，她展现出了执着而又疯狂的一面。
徐立国（姚培德 饰）只是一介小小的公司职员，沉迷于武侠小说的他总喜欢将自己想象成行侠仗义的大侠，来获得短暂的满足感。经理将徐立国派往广州公干，在机场的安监处，徐立国震惊的发现自己竟然拥有了特异功能。在飞机上，竟然有外星人闯入劫机，徐立国凭借着自己的特异功能击退了外星人，就下了美丽温柔的空姐小瑜（徐维敏 饰），获得了一万元的奖金。 之后，徐立国来到了少林寺拜师学武，结果小瑜竟然找到了他，为了和小瑜私奔，徐立国激怒了少林寺的高僧，遭到了后者的追杀。徐立国带着小瑜去东方乐园游玩，高僧尾随而至，两方人马展开了激烈的交战。
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
电影导演圭多（马塞洛·马斯楚安尼 Marcello Mastroianni 饰）在完成了一部影片之后感到筋疲力尽，他来到一处疗养地休息，同时开始构思下一部电影。他受到恶梦的困扰，精神不振，灵感也陷入停滞。他让情妇卡拉（桑德拉·米洛 Sandra Milo 饰）也来到疗养地和他作伴，但卡拉的到来反而增添了他的烦恼。此时，充满朝气的年轻女郎克劳迪娅（克劳迪娅·卡汀娜 Claudia Cardinale 饰）的出现，令圭多压抑的世界乍现出一抹亮色。然而随着圭多妻子路易莎（阿努克·艾梅 Anouk Aimée 饰）以及许多电影圈人士纷纷来到疗养地，圭多不堪忍受个人感情生活的混乱与电影拍摄的双重压力，他的精神危机愈演愈烈，梦境与幻觉不断侵入他的现实生活…… 本片荣获1964年奥斯卡最佳外语片和最佳服装设计（黑白片）两项大奖。
曼努尔和胡莉雅在某个夜晚偶然相遇，并度过了激情的一夜。尽管只是短暂的相遇，但他们之间迸发的情愫已远远超越单纯的肉体关系。虽然两人都已婚，但仍决定每周见面一次。未来的人生似乎已成定局，一眼就能看见尽头，然而这段关系让他们开始去想是不是可以有不同的选择，或许他们都值得拥有更多可能……
法庭内，各人舌剑唇枪，为真理，为公正而进行抗辩；法庭外，各人面对种种感情考验，衍生段段纠缠不清的关系！ 全新一辑「壹号皇庭」，再度以法律和人性的冲突，带出一连串震撼人心的案件；并以深入的笔触描写法律界中人种种的感情矛盾。 强奸，是否性侵犯这麼简单？一名遭人强奸的女受害人，竟是被告的妻子。一宗殉情自杀的案件，为何转化成一宗强奸案？情杀，并非只发生在男女之间的争风呷醋，一对情侣被控谋杀，但二人竟同是男性。 母爱的伟大本是可歌可泣，为何由此变成犯罪的动力？还有家庭惨案、警察相残、医疗事故弄出人命，结案十多年的案件突然翻案… 而法律界中人面对复杂审讯的同时，亦陷於各种感情纠缠关系之中。宇（陶大宇饰）遇上旧情人之妹，明知她不可告人的身份仍倾注感情，後来更为她险些断送一生。宙（刘美娟饰）与聪（蒋志光饰）感情路上分道扬镳。春（欧阳震华饰）、柔（陈秀雯饰）结婚前夕面...
21-22赛季法甲第26轮 里昂VS里尔