1839年，运送黑奴的阿米斯塔德号在大洋上遭遇暴风雨，黑奴们趁乱暴动，将船员砍杀，控制了阿米斯塔德号后试图驶回家乡，然而六周后，他们阴差阳错抵达了美国，幸存下来的44名黑奴被美国军方逮捕，并将面临杀人罪的指控。此时，西班牙女王向美国总统要求引渡这些属于西班牙的黑奴；两名海军军官也宣称黑奴是他们的战利品；另有人拿出了在古巴购买这些黑奴的证明。各方争执之际，废奴会的领袖之一、同时也是船公司负责人的乔德森（摩根·弗里曼 Morgan Freeman 饰）与友人塔培安雇佣了律师罗杰，希望证明这些黑奴来自非洲，从而在废奴观念深入人心的大环境下为他们谋取自由……
钟文和钟舞是一对双胞胎姐妹，两人性格迥异，却非常的敬爱。一次，钟文在不小心中卷入了卓伟家的事情，遭遇了危险，好在得到钟舞、卓伟一行人的帮助，姐姐钟文被成功救下。最终钟文家岌岌可危的家庭关系因为这次的危机得到了解决。
女巫Gothel（唐纳·墨菲DonnaMurphy配音）靠着一朵神奇的金色花朵保持青春。王后重病，国王派人找到了这朵金花给王后治病，王后病愈，生下了一个一头金发的小女孩Rapunzel（曼迪·摩尔MandyMoore配音）。女巫失去金花，却发现小公主的金发有着同样的魔力，因此她偷走Rapunzel，把她关到森林中的一座没有楼梯高塔之上。十八年后，Rapunzel在女巫的抚养下长成一个拥有长长金发的美人，她越发渴望外面的世界，女巫为了自己青春永驻，想方设法把Rapunzel留在身边。一天，窃贼Flynn（扎克瑞·莱维ZacharyLevi配音）盗取公主王冠后逃入森林，在好奇心趋势下登上了这座神秘的高塔，误打误撞见到了塔中的长发公主。在Flynn的陪伴下，Rapunzel走下高塔，开始了人生和爱情的大冒险。本片为迪斯尼公司第50部动画长片，改编自经典格林童话《长发公主》，由迪士尼元老级画师格兰·基恩首次担任动画片导演。
内详
李天杨本来是一个性格开朗，充满阳光，秉持着中国传统美德的中国八零后青年。他高中毕业后留学德国，遇见了令人心动的德国女孩索尼娅。可是当他得知为了筹集自己的学费父亲积劳成疾后决定回国，靠自己的努力帮助家庭渡过难关。在国内他从打零工做起，一步步进取，不断实现着自我。索尼娅追随爱情也来到了中国，但是李天杨认为自己窘迫的处境已经不太适合继续和索尼娅的爱情，忍痛拒绝了索尼娅。索尼娅在了解到李天杨的遭遇之后，暗中用自己劳动获得的报酬资助李天扬父亲，并支付了高额的医药费用。但她认为李天杨没有把自己视为生死相随的伴侣，于是在
2006年，印度孟买。 印度青年杰玛•马利克（戴夫•帕特尔饰）还差一个问题就能赢得2千万卢比。他是怎么做到的？A：他作弊；B：他幸运；C：他是天才；D：一切命中注定。 这是《谁想成为百万富翁》电视猜谜节目的人生版。杰玛•马利克在已经赢得1千万卢比的情况下被警方以欺诈罪逮捕，严刑拷问下杰玛说出他获得1千万卢比的真相——他确实知道答案，但他只知道这些！ 出身贫民窟的杰玛年幼就生活艰苦，他与哥哥沙里姆、少女拉媞卡(芙蕾达•平托饰)三人却一起经历了几十年印度的变迁。之前每一个问题，都好像是杰玛的记忆碎片，牵动他关于亲情、爱情与人生的回忆。 而现在，杰玛一方面要洗清自己的犯罪嫌疑，一方面要拯救与拉媞卡的爱。在金钱与爱之前，杰玛能够沉着冷静，选择出正确的答案吗？
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
1997年，泡沫经济崩溃后，日本金融界陷入危机。银行也由于巨额不良债权问题处在生死存亡的关头。 在此背景下，大型城市银行之一的三叶银行开始实施“批量转让”，即将回收困难的不良债权打包出售给投资公司。三叶银行资产流动化开发室室长芝野健夫（渡部笃郎 饰）负责这一日本国内的首次尝试。 他就债权转让问题与外资投资公司“Horizon Japan Partners”的代表鹫津政彦（绫野刚 饰）见面了。 芝野提出希望最少能以300亿日元的价格收购价值723亿6458万日元的债权，对此鹫津表示会认认真真地进行核定，而芝野却因他的这种态度产生了一丝不安。 除芝野以外，三叶银行的所有人都对核定结果满怀期待，然而等到四周后答复的那一天，芝野和同事们从鹫津口中听到了一个极其令人震惊的价格。 三叶银行常务董事饭岛亮介（小林薰 饰）对外资企业“秃鹫”的戏耍感到气愤不已，他主动...
身手敏捷、青春阳光钟爱芳（蔡卓妍 饰）终于成为像他爸爸钟点工（许绍雄 饰）一样的警察，她第一天上班就遇到一起大案。重案组为了指证黑帮分子天爷（王晶 饰），四处寻找重要证人肥威（林雪 饰），而天爷也欲杀肥威灭口。爱芳初露锋芒，打败天爷手下，抓住肥威。而肥威提出一个要求，只要警方能保护他参加华夏杯青春小姐选美的女儿君君（李曼筠 饰），他便同意出庭作证。重案组警司陆志昂（陆毅 饰）派爱芳混入选美队伍，暗中保护君君，与此同时，陆志昂和警队精英袁子丹（樊少皇 饰）、男人婆铁玛丽（吴君如 饰）也混入电视台，相机而动。天爷知晓君君身世，遂派出杀手向她袭来。各方势力云集于此，连番较量在所难免……
诗选类剧集《随意芝加哥》由乔·斯万伯格担任创剧人，讲述了形形色色的芝加哥人如何在现代社会的爱情、性爱、科技与文化迷宫里蹒跚前行。这部八集电视剧由斯万伯格担任编剧和导演，演员阵容包括奥兰多·布鲁姆、玛琳·阿克曼、杰克·约翰森、马克·马龙、戴夫·弗兰科、汉尼拔·布列斯、艾蜜莉·瑞特考斯基、迈克尔·切鲁斯、古古·玛芭塔-劳、阿雅·卡什、简·亚当斯、伊莉莎白·里瑟和伊万·约尼杰特等。
战乱时期，江湖上五大毒宗拔地而起，五大毒宗对应着生活中的五毒。圣鳞教教主南宫懿为满足自己私心，抢夺各门派武功秘籍。一个毫无征兆的夜晚，狂风四起。天龙门掌门失踪，金乌派惨遭灭门，天蟾谷一夜间彻底消失。天蟾谷掌门幼子独孤俞在被追杀的过程中被谷中长老独孤仲使出蛤蟆神功所救，并由一农村老妇抚养，是为奶奶。十八年后。独孤俞结识了南宫翎，两人互生情愫，却没想到是大仇人南宫懿的女儿，而南宫懿十八年来一直在寻找独孤俞。独孤俞被抓，翎翎冒死救出，一次意外独孤俞坠崖练成了蛤蟆神功。独孤俞前去找南宫懿报仇，南宫翎为了终止这场大战牺牲了自己，南宫懿亲手杀死了自己最爱的女儿，走火入魔，成了疯子。最终独孤俞也放下了恩怨。