晓恩（张曼玉 饰）留学归来参加妹妹的婚礼，期间发觉与母亲葵子（陆小芬 饰）的隔阂与矛盾只增不减直到陪母亲回日本探亲时，她才真正开始了解自己的母亲。原来在抗日期间到满洲投靠哥哥的母亲，结识了当时身为军官的父亲（李子雄 饰），并与其结婚，战后决定随丈夫一起搬到澳门生活。因生活习惯和文化等各方面的差异，令母亲与公婆同女儿之间的隔阂与误解不断。然而在母女俩终于取得了沟通与谅解之时，却从大陆传来了从小带大晓恩的祖父中风不良于行的消息, 向来和他们不和的母亲却要求忙拍戏的女儿一定要去......
在正和从食品公司辞职后一年，接替前辈正和的山岸（太贺饰）身兼区域经理和“鸡肉百姓”的店长两职，每天都很忙，不过，他做事仍然我行我素，活得悠然自得。某天，为接受电视剧《宽松世代又如何》的编剧采访，山岸作为宽松世代的代表造访电视台。对于其他参加者的发言他嗤之鼻，还说了他自己起诉同事的事情，让制作人和编剧听得津津有味。助理制作人须藤冬美（佐津川爱美饰）奉上司的命令，对山岸进行补充采访。冬美憧憬着由此完成由自己策划的电视剧，干劲儿十足，为了搜集素材她和山岸开始交往。
薇罗妮卡（莎拉·米歇尔·盖拉 Sarah Michelle Gellar 饰）是一名28岁的女青年。在旁人的眼中，她无疑是一名“成功人士”——有一张漂亮的面孔，一份稳定的工作和一处舒适的住所，这些许多人终其一生都无法得到的东西对于薇罗尼卡来说仿佛是与生俱来。可是，只有薇罗尼卡自己知道，她内心中的那个黑洞是再多的金钱和物质都无法填补的，在这个孤独而又冷漠的世界里，茕茕独立的她要忍受多少的痛苦才能安然的度过枯燥而又乏味的每一天。终于，忍无可忍的薇罗尼卡做出了决定，她决定去死。 似乎就连死神也对薇罗尼卡格外宽容似的，在鬼门关走了一遭的她终究还是被先进的医疗技术给救了回来，可是医生告诉薇罗尼卡，由于药物的缘故，她的心脏受到了极大的伤害，可能时日无多，而正是这离死亡越来越近的生活让薇罗尼卡对生命有了新的领悟。
2010年日本八千代市，小学教师市川新市（哀川翔 饰）功不成名不就，老婆有外遇，女儿又在做援助交际。事业生活一团糟的市川无力改变这一切，只能采取逃避现实的态度来对待。他念念不忘34年前电视台播放的超人剧集《斑马人》，那个似乎无所不能的英雄曾令他振奋不已。夜深人静之时，市川一个人躲在房间里缝制斑马人的战斗服，然后偷偷穿出去体验超人的感觉。 与此同时，市内接连出现奇怪事件，一群邪恶的外星人盯上了地球，而八千代正是他们活动的据点。地球危在旦夕，正义的斑马人会不会出现呢？ 本片为哀川翔参演的第100部电影的纪念之作。
美女总裁东元集团第二代万龙龙天资过人，在父亲手里接过企业正式成为新一代董事长，但由于强硬推进一系列改革措施，被不满的老股东在吴德隆带领下抱团踢出董事局。万龙龙通过新闻看到吴德隆大量辞退老员工，并变卖部分优质资产套现，这使得万龙龙决心尽快夺回东元集团控制权。万龙龙和发小李文联手对抗吴德隆，在李文的帮助下，成功控制少部分股东，不料吴德隆利用陈建军父子提前占领集团董事长的席位。万龙龙密谋策划一场行动扳倒吴德隆，却又因为集团内部被渗入太深无法行使权而失败。李文带万龙龙暗访股权高人张冰，在张冰的规划及李文为代表的3800集团帮助下，万龙龙与3800董事长李雪彗联手，在二级市场买入东元集团股票，步步为营，收回东元集团控制权，而不料3800集团要的竟然是……
为了让婚姻重燃激情，成为亲家的闺蜜尚蒂和詹妮弗打算携各自的丈夫一起去度假，却遭遇了各种意想不到的事情。
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
这是一部讲述平凡人在日常生活中寻找美好的电影。主人公平山是一名清洁工，对于平凡而规律的工作生活感到满足。除此之外，他热爱音乐、书籍和拍摄树木的照片。一次意外的相遇渐渐揭示了他的过去…
;我的哥哥。一切都可以。母亲给我的咖啡店经营中的歌曲。我的母亲生前的公司债，债主们到店里来。但是有一天，同父异母的兄妹，突然来找我和一家一起生活。我总是担心。偶然我买菜，你累了，我们可以替他还想钱还不够，但是身体。事实上，他愤怒的老美。高利贷者找美，我已经不在那里。美的牺牲，彼此的感情，两人的爱情，但第二天不美的消失。是我的双胞胎姐姐来找我的本意是听，她等着，每一天，2年后，她再次回来。
“神算子”是明朝皇帝朱元璋钦赐的称号，封给了当时天下最能打算盘的一位高人，并且御赐给了他一把黑玄铁打造的“铁算盘”，还让他将这把“铁算盘”和“神算子”的封号一代代传给全天下最能打算盘的人。
Jessica knows exactly what her life is supposed to look like and where it takes her. But then she meets Danny. He has a complicated past and could confuse all their plans. Jessica has to decide.