故事以现代东京为背景，在也门担任无国界外科医生，目前归国的Wato Tachibana（贯地谷诗穗梨），与任职警队的调查顾问Sara Shelly Futaba（竹内结子），组成搭档，以过人的推理技巧，破解一件又一件的悬案。
讲述一个身高13英尺(近4米)的黑人男子的故事，设定在奥克兰，该剧被描述为“暗黑、荒谬、好笑、重要”。
本片讲述了2020年初新型冠状病毒爆发期间因疫情被隔离的一个小区中发生的故事，以主角陆泉和孟萌两个年轻人的成长为线索，其中穿插了邻居徐爷爷、保安大叔、外卖小哥、小区物管人员、食行配送司机、关爱独居老人志愿者和孟萌的家人在预防和抗击疫情过程中遇到的种种磨难和考验，展现了疫情阴影笼罩下邻里之间心手相连、互帮互助的精神，在没有硝烟的战斗中刻画出动人的姿态。
《马克·吐温的耶路撒冷之旅:梦想之地》由马丁·希恩讲述，是根据马克·吐温的畅销书《海外无辜者》改编的。2017年是马克·吐温欧洲和圣地之旅150周年。影片在以色列拍摄，我们追溯了马克·吐温的足迹，使用了他信件和日记中的真实细节。讲述了马克·吐温作为一名年轻记者的鲜为人知的故事，他开始了横跨大西洋和圣地的处女航。他的最终目的地是耶路撒冷古城。吐温在这次旅行中的经历和见地促使他后来成为一位典型的美国作家。这部纪录片是有关马克·吐温的唯一一部在耶路撒冷拍摄以及用到以前从未见过的信件的影片。
oniqueWatson,a12yearsoldAfricanAmericangirlgoesmissingfromherBrooklynhome.HerfatherMichealWatsondoeseverythingonhispowertofindhislittlegirl,heholdshimselfupthroughfaithandwill.Thepolicearehavingahardtimefindingher,whenChristianBakerayoungNewYorkCityjournalistfromTheChroniclegetsassignedtoherstory.Christiantriestogettheassignmentdone,hequicklyandpoorlyresearchesthestoryandgoeswiththefirstlead.Thisbringsdownanunexpectedseriesofevents.ChristianwithguiltdecidestojoinMichealonhissearchandtakesuponhimselftoracetimeandhelpfindMonique.
普雷姆（阿尤斯曼·库拉纳 Ayushmann Khurrana 饰）是一个沉默寡言的年轻人，非常惧怕自己的父亲。在父亲的安排下，他和一个名叫桑迪亚（布米·佩德卡尔 Bhumi Pednekar 饰）的女孩相亲，桑迪亚是一个身材有些丰满的姑娘，这让普雷姆感到十分的不满意，可最终，普雷姆还是因为害怕受到父亲的责骂，而乖乖的和桑迪亚结了婚。虽然两人已经结为了夫妻，但是普雷姆对于桑迪亚没有任何的感情，也非常的讨厌她的家人。 一天，普雷姆和桑迪亚去参加一场婚礼，在婚礼现场，普雷姆当着一干朋友的面又一次的羞辱了桑迪亚，这一次，桑迪亚再也无法忍受这种欺辱了，她决定和普雷姆离婚。然而，在当地，夫妻结婚之后，只有共同生活了6个月以后才允许离婚。
故事发生于六十年代末，何伟是南洋商人，本想在香港搞小生意，但因生活奢华，故很快便将钱花光，此时他认识了波哥，后者忠直又敦厚，可惜刚失了业，意志消沉。何伟见状便鼓励他重新振作，二人成为好朋友。何伟与波哥共同租住一房，大家各谋生计，却竟然同时邂逅家庭教师戴若兰。小萍暗恋波哥，见他对若兰百般殷勤，大为不满。若兰却对何伟钟情，但未能表白心意。何伟知道自己散漫的性格辜负了若兰，决心改过。此时若兰收到外地来信，知道弟弟病重，并藉此试探伟对她的诚意……
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
江菡不幸患上绝症，医生指其生命只有半年，江却瞒着丈夫刘世民刘任职的公司来了一位年青寡妇罗楚楚，刘欣赏她的才干，亦同情其悲凉身世。后罗爱上刘后，不欲破坏其幸福家庭，决心离职。江虽知罗对其夫之爱意，不仅未为此妒忌，还从中拉拢...
一个在现实中失意的青年作家小贝,在现实碰壁而低落的夜晚,经历穿越20世纪初拯救陷入帮派麻烦的祖先、清朝和参加科举考试的先祖共事、明朝与祖先共同御敌、晋朝和祖先一起救世济人、上古与女娲和夸父探讨生命的本源和意义的奇幻旅程一路见证爱情、收获自信和担当,经历人性的转变而自我成长,奇幻之旅实则他的新书发布,这本书献给他未见过的母亲和祖辈们。
节目是一档场景式真人情景年番综艺，节目以情境喜剧综艺的方式，讲述每周相聚的新老朋友之间，发生的欢笑不断、妙趣横生的故事。社区邻里共建和谐社区，共创美好生活，将大伙之家打造成年轻人向往的美好家园。
夏洛特与富有的丈夫一起在纽西兰过着幸福的生活某一天晚上，一群不速之客闯入农场，杀了她的丈夫，绑走了她强褓中的儿子。面对政府当局的冷漠消极，求助无门的她只能孤身踏上拯救儿子的旅程，在危机四伏的荒山野岭奋力求生，同时还得追查歹徒的下落。